Castro may seem like a quiet one, but get him talking about music and
he’s a ball of energy as the joy of his profession flows in a cascade
of musical references and past and contemporary musicians.
Castro, 48, is a fixture in the music scene on Ocracoke. The number of bands he’s in changes often.
“Music is like my religion,” he says. “It helps me to be a better human being. I try to learn any kind of music.”
The last few years, he been learning jazz and is a member of the Ocracoke Jazz Society.
he might have difficulty communicating with the group’s founder, Serge
Gracovetsky, who is from Montreal and speaks better French than English.
“I can’t always talk to Serge (in his language), but I can through music,” Castro says.
that’s what Castro finds so wonderful about his profession: -- music
helps people communicate. It brings diverse people together.
Most nights, you are
likely to see Lou in a band somewhere on the island. Among the
bands he plays in are Molasses Creek -- a contemporary folk band, which
is his main gig; Raygun Ruby, an '80s band; Lightning Lou and the
Blackouts, which is his jazz-rock band; Martin and Lou, his gig with
popular island guitarist Martin Garrish, and the Ocracoke Rockers and
the Aaron Caswell Band.
Then there's the Ocrafolk Opry on Wednesday nights, and he also plays at various venues on Hatteras.
stage he has an array of instruments. Not just the electric, acoustic,
slide or steel guitar, but the electric bass and dobro.
There’s also the duo, Coyote, with his wife, Marcy Brenner, who also is a member of Molasses Creek.
Castro's musical journey began when he was in the third
grade in the Abington Friends School and growing up in the northeast
Philadelphia area. He tried the violin, the recorder and piano.
His mother, who is Filipino, and father, who is Colombian, exposed him to all kinds of music.
I heard the Beatles and I wanted a guitar,” he says smiling his
infectious grin. The iconic group from England still is his favorite
“I discovered them after they had broken up,” he says
about the Fab Four. “They showed us that our own music was cool
and brought in harmonies from their parents’ era and different rhythms
including Latin beats.”
As the guitar gripped his imagination, playing in bands was what he wanted to do.
he shows a visitor his music room that includes a baby grand piano,
bookshelves full of music, computer equipment and instruments all over,
he says he’s not sure how many guitars he has.
“I think 30,” he says, picking up an electric bass. “I love the guitar. It can do so many sounds.”
he loves to play covers from the classic rock and metal era, he also
writes songs with Marcy, a skill he honed at Berklee College of Music,
Boston, from which he graduated. He and Marcy met in 2000 while
he was living in Duck and working in the Duck Deli.
“I wanted her to sing Aerosmith and she wanted me to learn Joni Mitchell,” he says about their musical confluence.
“I was classically trained, but then was playing Led Zeppelin,” Marcy chimes in.
had rock in common,” Lou continues. “I wanted her to sing because
I have no range. So, I was stuck singing Metallica, which sounds
But, a few times during a set, Lou will sing at least one song, often a Beatles song.
his limited singing, Lou’s rendition of “It’s a Sin to Tell a Lie,” a
classic swing song, made it into the top 40 of folk songs in March 2012
when Molasses Creek’s CD “An Island Out of Time,” released nationally
and became the fifth most played album in folk radio.
spare time, Lou teaches guitar and is pleased about the progress so far
of one of his former pupils, Jason Daniels, the deputy sergeant on the
Aaron Caswell, who performs frequently at island venues, is one of Lou’s more visible students.
“He’s an awesome teacher,” Caswell says. “And now he’s learning from me.”
CDs of Castro’s music in various bands can be found in many island shops.
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